Meridith Grundei
New York-based actor, improviser, and director specializing in devised work and bold storytelling.
The bio…
Meridith C. Grundei is a New York-based multidisciplinary director, AEA performer, and educator with over 20 years of experience on and off the stage. Her work is rooted in physical storytelling and a deep investigation of the human condition—a craft she refined while earning her MFA in Contemporary Performance from Naropa University.
As a performer, Meridith has appeared with respected companies including the Denver Center for the Performing Arts, American Conservatory Theatre, and Third Rail Projects. Her recent creative focus includes the development of Nothing Further, a multimedia solo performance exhibit investigating generational trauma and family secrets, which evolved through a residency at Culture Lab LIC.
Meridith is a passionate director and producer with a particular interest in immersive and ensemble-driven work. Her directorial credits include the award-winning BITE-SIZE: An Evening of Micro Theatre and the internationally recognized musical Normal Heights, which was named "Best International Act" at the Brighton Fringe Festival.
What sets Meridith’s perspective apart is her ability to bridge diverse improvisational forms. She integrates the high-stakes physical precision of Suzuki and Viewpoints (studied with Anne Bogart and SITI Company) with the spontaneous, relationship-driven storytelling found in her training at iO Chicago and The Second City. This fusion of disciplines allows her to create work that is both physically grounded and emotionally resonant.
Her dedication to the craft led her to faculty positions at Naropa University, The PIT, and The Second City, where she was instrumental in developing their youth program. Beyond the theater, Meridith is a successful entrepreneur and the founder of Grundei Coaching. Using her background in improvisational theater, she helps leaders at organizations like Amazon AWS, Sotheby’s, and Google and many others simplify complex information and find their authentic presence on stage.
Commercial Reel
Meridith C. Grundei
AEA | SAG-AFTRA Eligible | Height: 5'4"
| Nothing Further | Creator/Performer | Culture Lab LIC (NYC) |
| The Taming of the Shrew | Curtis/u.s. Kate | CO Shakespeare Festival/ Chris Duval, dir. |
| Frankenstein | Servant/Ens/u.s. Liz | Denver Center Theater/ Sam Buntrock, dir. |
| Sweet & Lucky | Grandma/Ensemble | Third Rail Projects & DCPA/ Zach Morris, dir. |
| The Misanthrope | Ensemble | American Conservatory Theatre/Carey Perloff, dir. |
| FAITH | Theresa | LOCAL Theatre Company/ Pesha Rudnick, dir. |
| Why We Have a Body | Lili | Naropa University/Leigh Fondakowski, dir. |
| Better Days | Peggy/Pearl | The Train Station/ Kent Nicholson, dir. |
| Moulin Scrooged | Ghost | Baby Wants Candy/ John Hildreth, dir. |
| Spirits to Enforce | Ariel | The Catamounts/ Amanda Berg Wilson, dir. |
| Mr. Burns | Susanna/Lisa/Marge | The Catamounts/ Amanda Berg Wilson, dir. |
| Failure, A Love Story | Jenny June | The Catamounts/ Amanda Berg Wilson, dir. |
| Sixteen Wounded | Nora | The Evergreen Players/ Len Matheo, dir. |
| The House of Yes | Lesley | square product theatre/ Chrlotte Munn, dir. |
| Abound | Ensemble | Sprung Movement Theatre/ Jon Sherman, dir. |
| Messenger #1 | Messenger #3 | The Catamounts/ Amanda Berg Wilson, dir. |
| 3 Faces of Dr. Crippen | Cora | The Catamounts/ Amanda Berg Wilson, dir. |
| God's Ear | Mel | The Catamounts/ Amanda Berg Wilson, dir. |
| Wireless Programs II/III | Marcey Wade | Strawdog Theatre/ Greogor Mortis, dir. |
| Tartuffe | Marianne | Fourth Wall Productions/ Helen Richardson, dir. |
| Memory Home | Harper | HB Studios / Allison Plomondon, dir. |
| LadyBits | Dana | LOCAL Theatre Lab / Christie Montour-Larsen, dir. |
| BANISHED | Kristen | coLab Arts / Daniel Swern, dir. |
| Animal Farm | Small Lamb | New Fellowship Theater / Stephanie Cozart, dir. |
| Motherhood Out Loud | Various roles | Stories On Stage / Anthony Powell, dir. |
| Sweet & Lucky (Workshop) | Ensemble | Denver Center Play Summit / Zach Morris, dir. |
| An Almanac for Farmers... | Molly | LOCAL Theatre Lab / Pesha Rudnick, dir. |
| Evil Lives Here | Lead (Lead) | ID Channel/ Tom Pogue, dir. |
| The Neighbors | Lead | Cris Thorne, dir. |
| The Call | Lead | Angelica Weaver, dir. |
| Hip or Not Hip | Lead | Jeff Feierstein, dir. |
| Hippie Man’s Plan... | Ensemble | Tom Parkin Films/ Tom Parkin, dir. |
| Just in Case | Lead | Thinktank Productions |
| I’d Rather Be Gone... | Supporting | Ragamuff prod./ Maria Breaux, dir. |
| FactSet (2025) | Principal | Docter Twins, dir. |
| FactSet "Donuts" (2023) | Principal | Docter Twins, dir. |
| OtterBox | Principal | MAKE New York |
| Western Union | Principal | eef Productions |
| Famous Footwear | Principal | Crossroads |
| Empire Today | Principal | Film and Tape Works |
| STARZ | Host | S.O.D. Barker |
| AJA Video Systems | Principal | Runaway Train Productions |
| Pentax | Principal | Futuristic Films |
| Perkins | Principal | Silent Partner Films |
| Lawyer Generics | Principal | Network Affiliates |
| Johnsons Auto | Principal | Comcast Spotlight |
| Colorado Proud | Principal | 9 News |
| ASG, Inc. | Principal | ModFlash Productions |
| Euro-Pro | Principal | One World Productions |
| Rise (Solo Performance) | Director | Diana Varco (Edinburgh Fringe/LA) |
| Normal Heights (Musical) | Director | Jim Walker (Winner: Best Int'l Act) |
| Bite-Size: Micro Theatre | Creator/Director | Winner: Best Immersive Piece |
| Beowulf: A Thousand Years | Director | 9 Henry Award Nominations |
| MFA Thesis Productions | Director | Naropa University |
| There is A Happiness... | Director | The Catamounts |
| Futura | Director | The Catamounts |
| Out of The Blue | Director | Eli Hans (Mexico) |
| Moulin Scrooge | Director/Collab. | The Band of Toughs |
| A Christmas Carol | Director | Miners Alley Playhouse |
- Naropa University Adjunct Faculty & Graduate Instructor (MFA Contemporary Performance). Taught The Business of Acting, Improvisational Theater, and Directed MFA Thesis shows.
- The Second City (Chicago) Former Instructor; Instrumental in developing the youth program.
- The PIT (NYC) Instructor specializing in improvisational theater techniques.
- Denver Center for the Performing Arts Instructor for Education and Evolution programs.
- iO Chicago Former Associate Faculty specializing in long-form improv.
- Theater Monkey (San Francisco) Founder & Director of specialized after-school theater program.
M.F.A. in Contemporary Performance: Naropa University
Improv: Adam McKay, iO Chicago, The Second City, Gary Austin, Joe Bill, T.J. Jagadowski, Jason Chin
Physical: Viewpoints (SITI Co., Wendell Beavers, Mary Overlie), Suzuki (SITI Co. and Jeffery Bihr), Developmental Movement (Wendell Beavers and Erika Berland), Biomechanics (Genadi Bogdanov), Dance (contact, jazz and modern)[cite: 38, 155].
Acting & Voice: Grotowski (Stephen Wangh), Moment Work (Leigh Fondakowski and Moises Kaufman), Moliere (Margo Whitcomb), Roy Hart Technique (Ethie Friend), Meredith Monk, Tom Bogdan
On-Camera: Paul Davis, Jane Alderman, Peter Forester[cite: 36, 154].
Yoga, competitive cycling, fitting into small spaces, shoulder rolls, kick boxing, dance (modern & jazz), immersive theatre, improvisation, NYC DL, US Passport